Since it carved out a hole for itself out of what was formerly the Snowboard Connection, the Canvas Gallery has really set itself apart from other galleries in the Pioneer Square area. Its prime location right below the 619 Building and its selection of diverse artists spanning numerous mediums makes any trip to Canvas an interesting one.

Of particular interest was this month’s show, which had one side of the room largely dedicated to textile art. This side of the gallery housed a complete visual feast.

Take for instance Maura Donegan‘s Memento Vitae I and Memento Vitae IV, shown below.

Memento Vitae I

Memento Vitae IV

As their names might suggest, these pieces are a reflection upon her life, playing carefully on her childhood (and current) love for words. In both pieces, words with special meaning in Donegan’s life were selected to create pieces that are as much experimental textile art as they are an extension of Donegan’s literary mind. The six-sided dice in Memento Vitae IV are in fact six-letter words that viewers must piece together for themselves. Memento Vitae I is a crossword puzzle with carefully stitched boxes filled with yet more words that are vital to Donegan’s memory.

Further down the wall was a piece by Lauren Davis, entitled Me/ You. The piece shows two photographs of hands, each from a different individual. The hands are then permanently linked together with bright red string. A simply idea, sure, but well executed.

Lauren Davis’ Me/ You

Remarkably, though, the most entertaining things for me in the whole gallery were canisters of miniature beads glued onto porous rocks and then submerged in water. Jenny Joyce brought forth four ridiculously creative, experimental pieces that simply utilized water, air, and vibrations in the room to bring forth displays that have the hypnotic entertainment level akin to watching jellyfish swim around a tank.

Jenny Joyce’s Doily