Bleep is a column focusing on varying degrees of electronic music news, videos and MP3s. In this post, Juju & Jordash make primitive techno waves with their latest release on Dekmantel, and Photek makes a comeback that strays from drum n’ bass territory.


Juju & Jordash

In this generally unsettling music video for “Dr. Strangepork”, directed by James Murray, flesh and rope create tension and discomfort that’s balanced by strange — and increasingly stranger — images of floral bouquets. Here, the gritty repetition seems appropriate for carnal pleasure and displeasure, taste and distaste, but Juju & Jordash show more than just these simple dichotomies on the dualistically-named Techno Primitivism, their latest release on Dekmantel. Some have called the title “ironic”, but there is no semblance of irony here. It’s just that Juju & Jordash know exactly how to push Stone Age atonalism and fire pit hypnotism into the streamlined waves of future music.

(Note: It’s actually a pretty fun mental exercise to craft the hypothetical cinematic in where Juju & Jordash’s music connects those two worlds.)

Juju & Jordash – “Dr. Strangepork” Music Video

Juju & Jordash – “Bleached Roots”



Longstanding player and producer in the drum n’ bass scene, Photek has now returned with his first album in over a decade, KU:PALM. The pre-release has just been made available online at, and finds the LA/UK producer straying away from his previous styles and into a wider range of percussive territories and sexy analog instrumentation, including dreamy piano interludes. In the artist’s own words (below), it might well be his best work to date.


“As KU:PALM started to take shape it felt like it was sitting halfway between Modus Operandi and Solaris – which I felt was a good place to be. Now it’s finished, it might well be my favourite album to date.” — Photek


Photek’s latest BBC Essential Mix, which aired on October 6th, 2012, is streaming below.



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Vivian Hua wears a lot of random hats, but has somewhat mastered globetrotting like a hobo and evading traditional 9-to-5 work schedules. She enjoys observing human idiosyncrasies perhaps more than anything and is a magnet for homeless people (a joy) and bug bites of all types (absolutely terrible). Through her work, she hopes to embrace the temporary while documenting the nostalgic, using divination and dream symbolism as guides through the cosmic maze. Additional writing, art, video, and other crap, like her astrological chart, can be seen at She is the Editor-in-Chief of REDEFINE magazine, and quite appreciates unsolicited personal e-mails just to shoot the shit and narrow the gaps between human beings.