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	<title>Comments on: Stacey Page Artist Interview: Using Thread To Explore Ego &amp; Avatar</title>
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	<link>http://www.redefinemag.com/2012/stacey-page-interview-embroidered-photographs/</link>
	<description>constructive growth thru arts journalism</description>
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		<title>By: Stacey Page</title>
		<link>http://www.redefinemag.com/2012/stacey-page-interview-embroidered-photographs/#comment-44295</link>
		<dc:creator>Stacey Page</dc:creator>
		<pubDate>Wed, 05 Sep 2012 15:39:58 +0000</pubDate>
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		<description><![CDATA[[...] the correlation between the identities in the photographs and the identities created by her work, she explains, “It can come from naturally occurring conflicts. One example would be the inner versus outer [...]]]></description>
		<content:encoded><![CDATA[<p>[...] the correlation between the identities in the photographs and the identities created by her work, she explains, “It can come from naturally occurring conflicts. One example would be the inner versus outer [...]</p>
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		<title>By: Flavorwire &#187; Stacey Page&#8217;s Absurd and Wonderful Embroidered Portraiture</title>
		<link>http://www.redefinemag.com/2012/stacey-page-interview-embroidered-photographs/#comment-41402</link>
		<dc:creator>Flavorwire &#187; Stacey Page&#8217;s Absurd and Wonderful Embroidered Portraiture</dc:creator>
		<pubDate>Sun, 19 Aug 2012 15:01:06 +0000</pubDate>
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		<description><![CDATA[[...] out of the (very) old. Of the relationship between the people in the photos and her embroidery, she explains, &#8220;It can come from naturally occurring conflicts. One example would be the inner versus outer [...]]]></description>
		<content:encoded><![CDATA[<p>[...] out of the (very) old. Of the relationship between the people in the photos and her embroidery, she explains, &#8220;It can come from naturally occurring conflicts. One example would be the inner versus outer [...]</p>
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