We sit in silence for two minutes. Then a hushed voice with a British accent comes through the headphones and reveals the library to be “dedicated to the collection of sounds.”
Individual auditory aspects of our environment rise to the fore as his voice ushers each one in; the breathes and coughs, the electric hum of the room, the turning of pages, the zipping of bags. His rhythm and cadence render the ambient noise an orchestrated whole. He prompts us to observe the people around us, the texts before us, the blood in our fingers, the skin of our hands. We follow instructions to touch particular words. He takes us through miscellaneous paragraphs at varying speeds. We engage in conceptual literary battle; pressing on a page until our hands shake and fighting with voices that read against us in our ears. We hold the book upside down and try to make sense of it, remembering the overwhelming difficulty of learning how to read.
I lose my way, my mind fatigued from focusing. I get disoriented in the blur of sound happening around me mixed with the audio coming through the headphones. Are all of those pages really being turned right now or is that recorded?
I do my best to follow everything because I am accountable to my partner, responsible for his experience. We move together through the intertwining choreography of complementary instructions playing through our respective headphones. I am told to point to a word and hold my finger frozen on the page. He appears to be instructed to switch out the the book that lies below my hand. We build the experience together, each a performer and audience for the other, wavering in and out of presence and awareness, like normal life but more.
In retrospect, it is the moment after we pretended to read upside down that I keep coming back to — the part when we turned the books right-side up again and attempted to see the letters in an abstract way, not as symbols that convey meaning. It’s mysterious just how impossible it would be to divorce ourselves from the ability to understand text. Quiet Volume makes you consider how deeply ingrained the visual marks of letters are in our minds.
Multnomah County Central Library
801 SW 10th Avenue, Portland, OR 97205
$8 Members / $10 General / All Ages
Wednesday, September 12th, 11:20-7:40pm (Starts every 20 minutes.)
Thursday, September 13th, 11:20-3:40pm (Starts every 20 minutes.)
Friday, September 14th, 11:20-3:40pm (Starts every 20 minutes.)
Saturday, September 15th, 11:20-3:40pm (Starts every 20 minutes.)
Sunday, September 16th, 12:20-3:40pm (Starts every 20 minutes.)
Latest posts by Vivian Hua (see all)
- Top Pops! The Ting Tings, ODESZA, Kilo Kish, synaesthete, Eyelid Kid, Love Inks, S.O.S. Band - August 31, 2014
- Chad Wys Artist Interview: Colorful Blurs of Digital & Analog (Colorburst 003) - August 14, 2014
- Bear In Heaven – Time Between Music Video (Interview w/ Jon Philpot & Director Nick Bentgen) - August 8, 2014
- I Origins Film Review & Interview w/ Director Mike Cahill: Notes on Spiritual Subjectivity and Artistic Magnetism - August 7, 2014
- Mark Dorf Artist Interview: Scientific Approaches to Artistic Practice (Geometric Spaces 002) - August 4, 2014