Beijing Hutong

Spend a day exploring the nooks and crannies of Beijing, and you’ll find certainly find the parallels to New York City that Wang mentions. Just about anything goes in Beijing’s mixture of grit and beauty; one neighborhood might boast unexpectedly high-end department stores and car dealerships, while less than five blocks away, mom and pop restaurants sell simple meals for a dollar. Also present are the in-betweens: the boutique shops run by artists; the fast-food chains; the typical tourist haunts. It is a city that is diverse and real in what it has to offer, because it is so large that each of its individual worlds can exist without concern for its other worlds. The same can be said about its music scene, which thrives within the city’s chaotic moods.

“Beijing’s music gives me a feeling of: diversity, and compared to other places, [it is] more depressing, sensitive, and pathological,” says Xu, “but it is also full of power.”

“The trend is more radical, allowing the existence of more experimental, pioneering ideas, more integration than the second- and third-tier cities,” Si YinGe of The Dyne says of Beijing.

These days, almost every type of band you can imagine is present in China, and there is no one formula for achieving success, domestically or internationally. What matters is that youth are spellbound by potential – and while many are recycling old ideas, still others are creating and experimenting with all of the possibilities the luxury of playing music has afforded them. Change is slowly happening, with the intensity that a society can develop only after having its eyes opened to the whole wide world. As the Chinese music industry expands at the same rapid speed of the country itself, how the music scene handles its own growth will be vital in determining its future.

“[The Chinese music industry] still needs a lot in terms of its foundation,” says Ilchi of Hanggai. For example, there needs to be support for musicians, rock venues, and recording studios; there needs to be a lot of professional and technical personnel for performances, professional music festival planners, and professional music festival venue planners.”



思潮更为激进,允许更多实验的先锋的想法的存在,融合性较二三线城市好很多,” 迪恩乐队的司云阁说。

在今天的中国几乎可以找到任何一种风格的乐队,而且他们获得成功的方式各不相同,不管是在国内还是国际舞台。重要的一点是,年轻人总是充满无限潜力 – 尽管其中一部分人只是在重新利用老的概念,还是有很大一群人在不断创造及实验。正是这些人怀揣着对音乐表演的梦想。改变是缓慢的,尤其是在一个尚未将其视野完全对世界打开的社会中。中国的音乐产业正如这个国家一般高速发展着,这个市场如何掌控自己的成长对于其未来是很重要的。


“Everything in the past decade [has] seemed to drift into Beijing. In the last few years, certain bands have chosen to stay in their own regions and develop a local scene there. There’s an, ‘If you build it, they will come,” mentality. Wherever there is a committed but small group of people pushing forward something, than in that city a scene starts to blossom. But nothing is [as] defined yet as Beijing is this, Shanghai is this, Chengdu is this, or Wuhan is this. There are definitely leanings, but nothing like a Seattle grunge scene or a Detroit house scene.” – Helen Feng of Nova Heart

“10年来的一切似乎都向着北京漂来。过去几年中,特定的一些乐队选择留在他们的起源地并发展出了自己的地域优势。在音乐圈存在一种心态,‘如果你建立起了自己的东西,人们会闻讯而来’。无论在什么地方,如果有一小群决心有所作为的人全力推动某件事物,那么这件事物在这个城市里就会开始繁荣。但还没有哪个城市像北京一样:上海,成都,武汉,都跟北京不一样。从音乐方面来说,大家对北京有一种倾向性,但这又与西雅图的垃圾摇滚或底特律的豪斯音乐不同。” – 新星心的冯海宁

“China’s contemporary music scene’s traits are excessively complex; if you ask me, it’s chaotic. The music industry is no exception to the trend,” says Lu from AV Okubo. “We all see it; in China a poorly-developed record industry is already declining. Everybody is insanely developing channels for performance; mainstream musicians participating in television talent shows, more rock n’ roll musicians added to music festivals and a variety of small music scenes. Channels for performance will be the music industry’s future battlefield of competition.”

Regardless of debates over acceptable forms of art and the lack of existing infrastructures for music, what one will consistently find in China’s underground music subculture is a scene that is driven forth by passion. In its best moments, such passion is then articulated through ground-breaking exploration of new ideas.

“Young musicians around me have independent thoughts, express a hunger,” Xu describes excitedly. “They are very open, have creativity, and very diligently choose music and seriously pursue it.”

Underground music movements are undoubtedly new and terrifying for modern Chinese culture. In order to make the best use of this positive energy, the music industry needs to focus on ensuring that Chinese musicians have adequate room to grow and explore. Most importantly, collaboration and cooperation will be vital – not just among musicians, record labels, and venues – but with the government, the educational system, and Chinese society at large.

“中国当代音乐的特质过于复杂,对于我来说就是一片混沌,音乐行业的走向趋势亦然。我们大家都看到,在中国还未发育好的唱片业已经没落,大家在疯狂开拓演出渠道,主流的音乐人参与到了选秀的电视活动中,摇滚的艺人更加频繁的加入到音乐节以及各式各样的小型音乐现场,演出渠道应该是音乐行业未来音乐行业竞争的主要战场。”AV 大久保乐队的陆炎说。



地下音乐活动的发展对于中国当代音乐文化无疑是一种威胁,但这是无可避免的。为了更好地利用其正面能量,中国音乐产业应该帮助中国音乐家们建立生存之地,让他们成长及探索。协作与合作将尤其重要 – 不仅仅是对于音乐家,唱片品牌以及演出场地之间 – 与政府,教育系统以及中国整个社会的合作也十分重要。


Chinese Music Scene Resources & Links


AV Okubo – AV大久保 //
Cat Machine – 机械懒猫 // site.doubacom/catmachine/
The Dyne //
The Gar //
Hanggai //
LongShenDao – 龙神道 //
Mr. Chelonian – 海龟先生 //
Nova Heart – 新星心 //
Ourself Beside Me //
Pet Conspiracy //
Queen Sea Big Shark //
ShanRen //
Snapline //
Stalin Gardens //
White+ //


Dong Dong Music Festival + Convention – 东动音乐节 + 产业论坛 //
Jue Festival – 《觉》音乐+艺术节 //
Midi Festival – 迷笛音乐节 //
Modern Sky Festival – 摩登天空音乐节 //
Sound of the Xity – 城市之声 //
Zebra Festival – 热波音乐节 //” target=”new”>

MEDIA – 媒体

Beijing Gig Guide //
DabaoGe Portable Shows – 打包歌 //
Layabozi //
Music-China //
MusicianGuide – //
Pangbianr – 旁边儿 //
Rock In China //
Smart Beijing //
SoundKapital //
The Sound Stage //
Time Out Beijing //
YaoGun Rock Database – 中国摇滚 //

VENUES (BEIJING) – 会场 (北京)

Dada //
D22 //
Mao Livehouse //
School Bar //
Temple Bar – 坛酒吧 //
XP //
YuGongYiShan – 愚公移山 //