fourclops ::) are an incredible duo consisting of Jeff Greco and Eli Stonberg, who create interactive music videos for unique web-browsing experiences.
Their work for MNDR’s “C.L.U.B.” takes information from your Facebook feeds and integrates it seamlessly into a music video footage.
A two-person animation, illustration, and live performance unit comprised of Jason and Aya Brown, Overture use intuitive and improvisational collaborative processes to “reach creative places neither could arrive at on their own.”
This dreamy, jiggling piece entitled “Mr. Sandman” features music by The Kleenrz.
Toki’s Monstas is obviously a play off of TOKiMONSTA’s name. How was the entire piece conceptualized, and what is the idea behind it?
Jeff Greco of fourclops: We love the idea of collaborating with the viewer to create a creative piece that they can then keep and share. Traditionally, music videos are about directors interpreting the musician’s work; now the viewer can interpret, play and create along with us.
A floral/fungal bio-spaceship wandering the universe finds a hospitable planet and sends Toki and Gavin down to feel it out and call the wide variety of creatures housed within the ship to come populate the land.
We knew there were going to be three locations in the video, so we came up with lists of creatures and plants found in these types of locations and took elements from existing creatures to create familiar but alien forms that could live on the planet.
With so many people involved, what was the workflow like? How long did the project take?
Jeff Greco: Sometimes these projects can be very sequential, but like Eli said, it was really helpful to be able to do so much work in parallel. One of the first things we completed was a proof of concept sticker book demo, and I was able to start building off of that before the actual video portion had even been shot.
I think the labor on our end took about a month, with little bits and pieces added and tweaked later on.
What kind of programming was involved? Were there difficulties between conceptualization and execution of the idea?
Our goal is always to create something that feels really fresh and new — there’s never an instruction manual for what we’re building so there’s a lot of potential for headache, but this project didn’t have too many bumps in the technological road. Keeping all the monstas in sync with the video we shot proved a little tricky.
This “music video” possesses very exciting implications for the future. What expectations, if any, do you have for this realm of artistic practice? Are there any projects similar to this one that have stuck out in your mind?
Eli Stonberg: Chris Milk and Vincent Morisset are the early pioneers of the genre that I look up to. If anyone is interested in checking out more interactive videos, 2Pause has a great curated channel. It’s an exciting time because so few interactive music videos have been made, so there’s a lot of new territory to explore. I expect to see more and more interactive videos pop up over time. As it stands, labels are a bit hesitant to try new things, but I’m optimistic.
TOKiMONSTA – “Clean Slate” (Toki’s Monstas) Music Video Credits
Director: fourclops ::)
Artwork by: Overture
Executive Producer: Jack Richardson
Producer: Judy Craig
Director of Photography: Tarin Anderson
Director of Technology: Jeff Greco
Editor / Compositor: Andrew Hakim
Asst. Editor / Colorist: Eli Stonberg
Stylist / Art Director: Elie Carey
1st AC: Ian Barbella
Gaffer: Patrick Hubbard
Electric: Steve Mansour
Key Grip: Rex Kenney
Grip: Nick Lancaster
Hair / Make Up: Fenex
Still Photographer: Alexandra Brown
Directors Assistant: Elliot O’Dea
Production Assistant: Dan Meyerowitz, Katy Cain, Leah Stone
Intern: Megan Niquette
Special Thanks: Chuck Schwarzbeck
Production Company: The Masses
Director’s Agency: United Talent Agency
Record Label: Ultra Music
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