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Lital Khaikin - REDEFINE magazine Staff Writer

All posts by Lital Khaikin

Lital Khaikin is a writer, editor and curator. She is a contributing editor and writer for continent. journal. She has poetry published in Berfrois, continent., .PLINTH., gobbet, and Deluge, with forthcoming work in e·ratio (2016). She has articles and essays published in Afterimage (New York), REDEFINE Magazine (Seattle/Portland), The Leveller (Ottawa), and Guerilla Magazine (Ottawa).

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Yoshi Sodeoka Video Artist Interview: Psychedelic Apocalypse in the Digital Realm

New York City-based video artist Yoshihide Sodeoka is known for his disquieting psychedelic videos, which are characterized by saturated colors, mythological references and a tense expression of time. Working often on an intuitive level, Sodeoka often allows his audio-visual creations to assume their shapes through a combination of spontaneous assemblage and aesthetic choreography. His video...Read...
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The Radical Capacity of Glitch Art: Expression through an Aesthetic Rooted in Error

"[The] purpose of my glitch art isn't to destroy my photographs, but to expose the mechanisms beneath the surface, to turn an image inside out and expose its entrails, to invite viewers to immerse themselves in this seemingly undecipherable space, to find reconstituted forms, the ghosts of an image, or a disembodied breast. There is...
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Massimiliano Grandoni Artist Interview: Expressing the Poetry of Quantifiable Matter

There is a somber weight inherent within the images of Italian visual artist Massimiliano Grandoni. With emotive composites of illustration and digital collage, he reveals eloquently phrased questions relating to physicality, to purpose and to categorized identity. The represented human characters appear to share a single world not only in aesthetic, but through essential symbolism...
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Lucas Simões Photographer Interview – Desretratos: Communicating Transience and Character through Deconstructed Portraiture

"In this series of works, I invited intimate friends over to tell me a secret as I took their portrait. However, my intention was not to hear their secret, but to capture the expressions of each one at the moment they revealed their secret. I also asked each one to choose a song for me...
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Bryan Olson Collage Artist Interview: Ultrastructures & Human Placement in Space

To express questions of context, displacement and fragmented identity, what better medium could there be than the nature of assemblage in collage? Image artifacts are laid bare while hypothetical situations construct parallel universes. The familiar falls in rhythm with the bizarre. Framed in conscious composition, such vivid and dreamlike landscapes are manipulated at the hands...
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Butoh Dancing (舞踏): Discovering Emptiness, Embodiment & Environment in an Archeology of Body

Butoh dancing (舞踏) is an expression of body that has found relevance outside of its roots in Japan, across cultures and generations. "Butoh, as [with] so many true arts, contains the beautiful spectrum of being. Often these first looks at Butoh are early works of suffering individuals. I have found that once the repressed or...
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Vedas by Nicholas Alan Cope and Dustin Edward Arnold: Encountering the Abstracted Body and Architectural Persona

There is no romance as elusive and magnetic as that between body and space. The pursuit of distinctive identity, formulaic functions and ideal wholeness between the human self and environment (naturally encountered or human-created) has impressed upon every aesthetic expression. Vedas, a collaborative photographic project between Nicholas Alan Cope and Dustin Edward Arnold, continues this...Read...
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Tuva’s Meridian of Musicality, Spirituality, and Cross-Cultural Place: A Primer On Tuvan Throat Singing

“Music is the art of the intonated sense; the sound, the groan, the cry and the song where the aural quintessence of the spiritual world of human beings. The aura that personifies sound is transparent through timbre and tone, envelops and tightens the other side of sound, the space of meanings and feelings.” - Sainkho...
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