All posts by Peter Woodburn

When people say they like all kinds of music, they usually add the caveat “except heavy metal”. Peter Woodburn doesn’t. In fact, he is almost always asking for more heavy metal. His love for music stems from seeing the Grateful Dead at the tender age of 11 years, and it hasn’t faded since. He loves everything from 15-minute-long bluegrass jams to thirty-second grindcore blasts, as well as everything in between. Give him a monster riff, though, and he will be forever happy.
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Rent-A-Cat (2012) Film Review

Rent-A-Cat chronicles the good-heartedly travels of Sayoko (Mikako Ichikawa), a woman who lives alone. Well, she doesn’t exactly live alone; Sayoko lives with cats. A lot of cats. After her grandmother died, Sayoko operates a cat rental business where she loans out cats to the lonely individuals throughout the world seeking to fill holes in...Read...
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Fuck My Wedding (2011) Film Review

Most often when you are attending a foreign film at a film festival, you expect something dark, heavy, and pretty much non-American. For that reason, it is almost a nice breath of fresh air to see Fuck My Wedding at Seattle International Film Festival, as it is a traditional American romantic comedy that just happens...Read...
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Rebellion (2011) Film Review

Expectations can be a tricky best, especially when it comes to films. The trailer for Mathieu Kassovitz’s newest film, Rebellion, really makes it seem like a wartime story. In a sense, Rebellion is a wartime story, insomuch that it is set against the tense occupation of the French colony of New Caledonia. But from pretty...Read...
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Italy: Love It or Leave It Film Review (2011)

Italy, for all of its romantic and historic wonder, is a country that often seems to be masquerading as a third world country. This is a country, after all, whose recent Prime Minister resigned after a sex scandal (his umpteenth one) that would make a soap opera love triangle seem standard. Italy is a country...Read...
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Klown (Klovn) Film Review (2010)

There was a time when it seemed that the only way an American studio knew how to make money was to churn out some poorly written, slapstick, gross-out comedy with sexual hijinks that invoked cringes, laughs, and three or four poorly written sequels. But just to be clear: films relying entirely on hyper-sexualized situations don’t...Read...