Top Grossing Marvel Character Movies

Stories of superheroes have been a popular form of entertainment ever since comic books were introduced into the mainstream, but these days, it is the numerous comic book films produced annually that are making the greatest impact. Marvel has benefit from this popularity the most, releasing up to 3 films a year, the most recent being Guardians of the Galaxy. Comic book franchises have some of the highest grossing films of all time, but here are the top 5 featuring their superheroes. This post is a sponsored advertisement.

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I Origins Film Review & Interview w/ Director Mike Cahill: Notes on Spiritual Subjectivity and Artistic Magnetism

An I Origins film review and interview with director Mike Cahill, intertwined with personal anecdotes and musings on past lives, coincidence, and the ability of art to attract like-minded individuals across distances.

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Brian Reitzell Retrospective Feature: From Film Soundtracks to Auto Music

Kraftwerk’s 1974 album, Autobahn, was inspired by the feeling of traveling freely along the open German motorways it was named after. Forty years later, a different driving journey serves as a guiding force behind Brian Reitzell’s debut album, Auto Music: Reitzell’s commute to and from work in Los Angeles. Its motorik kinship with other Krautrock greats is keenly present on tracks like “Auto Music 1″, echoing as it does Can’s formative free-form instrumentation and the metronomic pulse of Neu!. In that sense, the song and album’s influences feel expertly curated–which isn’t surprising, given that Reitzell is the same man who is responsible for the Jesus and Mary Chain’s “Just Like Honey” playing over the closing scene in Sofia Coppola’s Lost in Translation–as well as getting My Bloody Valentine’s Kevin Shields to contribute to that film’s soundtrack after a long spell out of the spotlight.

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Alice Cohen Animator Interview & Music Video Retrospective

“What appeals to me is the potency in the image — the object itself, or the mysterious atmosphere it holds. A truly beautiful image has the power open up this whole inner world; it’s like a visual “key” that unlocks and fires up your imagination.” - Alice Cohen

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DamNation Documentary Film Review (USA, 2014)

“Dams don’t just blend in as part of a landscape anymore. Knowing what I know now, it’s impossible for me to look at dams in the same way as I did a few years ago — or even rivers, for that matter. Dams and hydropower represent a pivotal part of U.S. history; there’s no denying that. But just like any other resource development in the U.S., we took it too far.” - Ben Knight, Director of DamNation

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Kenzo’s Dawn In Luxor Video (Directed by Kahlil Joseph; Music by Shabazz Palaces)

In this slow-moving dream world, long-time collaborators Kahlil Joseph and Shabazz Palaces focus their eyes on a number of figures inhabiting different spaces: a blue-faced boy sitting on a beach; a figure scampering across a dark room; a strong woman standing tall in the breeze. It’s a fashion video that flies in and out of synth washes and the rhymes of Shabazz Palaces, who encourage you to fly with them along metaphysical spaceways. Egyptian hieroglyphics are spliced between scenes — and combined with the veiled figures and African artifacts, one has to wonder what Joseph’s secret message is.

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Class Enemy (Razredni Sovražnik) Film Review (Slovenia, 2014)

Nusa (Masa Derganc), every student’s favorite teacher, goes on maternity leave and is replaced by Robert. Robert is everything that Nusa isn’t — a man who believes in rigid authority and an older style of teaching. A private meeting with a struggling Sabina (Dasa Cupevski) sends her out of Robert’s office in tears, and it is the last memory her classmates have of her. Sabina later commits suicide, and the class, left struggling to comprehend their own emotions, squarely places the blame on Robert. Rok Bicek’s debut feature-length film, Class Enemy, is an interesting exercise in grief, and Bicek undertakes the painstaking task of showcasing how it hits the cast of characters differently. Luka (Voranc Boh), who has just lost

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Four Corners Film Review (South Africa, 2014)

The narrative of Four Corners is equal parts Tsotsi and City of God, set in the sprawling South African ghetto of Cape Flats and following the people that struggle to survive it. At times, the dialogue is sparse and the acting is relatively wooden, but the overall message, and the despair of the situation, makes it an engaging film worth noting. Selected as the official South African submission for Best Foreign Language Film at the 86th Academy Awards, Four Corners missed out on a nomination, but remains a bold undertaking by director Ian Gabriel, who chose to tell the story in Sabela, the secret language of certain gangs in South Africa), Tsotsi taal and Afrikaans. Four Corners Theatrical Trailer

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Seattle International Film Festival (SIFF) 2014 Preview: Films We’re Excited About

Seattle International Film Festival (SIFF) 2014 is here, which means another few weeks of impressively-curated film-going madness for everyone in the Puget Sound Region. Below, we’ve once again given you our top selections for the year, grouped by world region. Stay tuned in the weeks to come, as we offer updates throughout the festival’s progression, with general thumbs up and thumbs down summaries of the films we will painfully and enjoyably slog and float through, as well as one-off full-length reviews. Happy SIFFing!

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Experimental Music on Children’s TV (EMoCTV): Mike Haley’s Retrospective Blog

“I think exposing kids to as much shit as possible is really important, just so they know it exists. If you only ate apples, and only got your kid apples, then their favorite fruit would be apples. But that’s just because they haven’t gripped a mango, or banana, or plum yet. Maybe they’ll hate every other fruit and truly dig apples. Or maybe they don’t really like apples. You see where I’m going with this?” - Mike Haley of Experimental Music on Children’s TV

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A World Not Ours Documentary Film Review: A Look Inside Palestinian Refugee Camp Ain al-Hilweh

Regardless of your feelings about Palestine, A World Not Ours is a must watch for those interested in themes of landlessness, family, and what it means to be privileged. Through the narrative lens, we get a glimpse into life inside a semi-permanent Palestinian refugee camp in south Lebanon. It is, of course, neither possible to dissociate the film from the political implications of the setting, nor does the film attempt to do so. Yet the glimpses of life that we see offer insight into what it means to be marooned in another country with few rights, into what family and community mean in such a setting, and the pressures of this oppressive life. The camp is called Ain al-Hilweh. Early

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Top Vintage Polish Film Posters: A Comparative Interview w/ Eye Sea Posters & The Affiche Studio

Generally brightly-colored and psychedelic in nature, Polish film, theatre, and circus posters from the mid-1940s through the 1980s have played a major role on inspiring modern poster art and graphic design. Supported at the time by the Polish government and arguably transformed into the prime form of art in the nation, Polish posters are known for their ability to hint at deeper meanings and personalities through allusion and metaphor, initially seen only as bold strokes of visual fancy. Their history is a complex and dynamic one worthy of many more words, influenced equally by Communism and politics as the state of the international arts scene of the time.

In this comparative interview, we speak with two creative studios — Eye Sea Posters, based in the United Kingdom and dedicated to poster archiving and reselling, and The Affiche Studio, which is based in the United States and dedicated to poster restoration — on just what makes Polish posters so compelling, to this day.

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