The Belle Game – River Music Video (w/ Band & Director Interviews in 日本語 & English)

After their collaboration on The Belle Game’s first music video proved natural and compelling in narrative, director Kheaven Levandowski and the band decided to once again work together on the music video for “River”, from their debut album, Ritual Tradition Habit. Much less upbeat than the previous track, “River”‘s finds its setting moving from Western countrysides into Japanese cityscapes, as it follows a male sex worker – also known as a rent-boy – through neon-lit streets and into a realistically-documented underbelly of the city. The result is both sensual and raw, leaving viewers curious to know more about the subculture. Levandowski and The Belle Game’s Adam Nanji discuss the formulation and execution of the music video, as well as the social ideas it stirs up, in this bi-lingual English-Japanese Q&A interview.

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Nik Turner – Space Gypsy Album Review (Cleopatra Records)

The fabled saxophonist, flautist and frontman Nik Turner has always sought to defy the epithet “ordinary”. His showmanship, sax and flute playing and great songwriting were an essential compound in the chemical reaction that gave birth to some of the most influential albums and live shows of the early- to mid-1970s. Anyone who has been fortunate to see him live with Hawkwind, or his other projects, such as Inner City Unit, Nik Turner’s Fantastic All Stars, Space Ritual and Nik Turner (ex Hawkwind), will know that he is one of the most exciting, outrageous and innovative performers ever to take to a stage.

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Forgotten Gems & Dusty Classics: Big Bill Broonzy, Mississippi John Hurt, John Fahey, Cladys “Jabbo” Smith, Lester Young

This newest list of musicians includes the Blues musician who probably did more than any other one person to jump-start my interest in older music: Big Bill Broonzy. The fun of listening to somebody who recorded seventy years ago is that you can start to piece together who they influenced and who they worked with, giving you more to listen to. It sent me down a rabbit hole that I haven’t even begun to crawl out of. Hopefully, I never will.

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Vex Ruffin – Self-Titled Album Review (Stones Throw Records)

An artist who began making music in his bedroom on his own, using an SP-303 sampler, Vex Ruffin was scooped up by the label Stones Throw after sending in a speculative demo. Subsequently he took his pared back reductionist genre-splitting music on the road with a four-piece band, taking in shows at SXSW and Coachella. With influences including labelmate Madlib and P.I.L.-era Johnny Rotten, he produces music that is a reflection of the ordinariness and mundanity of his day job driving trucks for UPS and living amongst suburban monotony.

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Tei Shi – Saudade EP Album Review (Self-Released)

Ever wanted a female artist with awesomely soulful vocals to make cool, interesting, and meaningful music? Now you have one. On her latest EP, Saudade, Valerie Teicher, aka Tei Shi, makes an impressive debut, exposing herself musically as well as emotionally, with powerful and lasting effect.

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Austra Live Show Review (Berlin, Germany)

Austra’s two sold out shows in Berlin are expressive of the band’s massive appeal in a city that thrives upon innovative music programming, anachronisms of the 1980s, and advocation for LGBT acceptance. Touring behind the sophomore album Olympia, an effort that features all of the aforementioned three, Katie Stelmanis and company delivered a set of darkly emotional synthpop that did not disappoint either night.

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