Metronomy – I’m Aquarius Music Video (MV of the Week)

We’ve coincidentally been featuring a string of sci-fi and space-related music videos as of late, but Metronomy’s music video for “I’m Aquarius”, directed by French director Edoud Salier, is definitely the most polished of the bunch. Rolling with the punches of singer-songwriter and multi-instrumentalist Joseph Mount’s use of astrological references galore, this music video is like a sci-fi book cover turned motion picture style. Retro spaceships float over spacescapes painted in bold strokes, until they finally touch down in a new land, not unlike a modern ancient Egypt, and timed perfectly for the song’s ending half, which worms out into ethereal spaces.

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Multicultural Sounds: Pearls Negras – Biggie Apple Mixtape

Get your heads spinning with these tracks from Brazil’s girl-pop-rap group, Pearls Negras, who have a new Biggie Apple mixtape out now for your consumable pleasure. Somehow the nitty-gritty of these jams, their harsh Portuguese delivery, and the fact that these bitchez be from the super real streets of Rio blows this shit out of the water even more explosively than any potential English counterparts. Incredible, in the best of ways, and if the heavy beats and mad lip service aren’t convincing enough, check them out in the booty shorts and spandex-heavy music video for “Pensando em Você” (“Thinking About You”), which is also translated below. (PS – Don’t be too thrown off by the halfway-point pop song in the

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Chinese Indie Music Mixtape (#30): 马肉 2014 – Curated by Josh Feola of Pangbianr

马肉 (Horse Meat) 2014: a mix of Chinese music by Josh Feola of Pangbianr (旁边儿) for REDEFINE. World premieres, practice demos, deep cuts, and stone cold classics from the Chinese rock underground circa 2014. (Editor’s Note: Happy Chinese New Year on January 31st, 2014! It’s the Year of the Horse.)

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Good Romans – Open The Door, Never Look Back Album Review (Finnish Explosions)

When most people think of jazz, they either stop at Duke Ellington’s sophisticated big bands, or possibly make it as far as the edgy, revolutionary architecture of bebop, if they’re hip. This extremely limited viewpoint overlooks the fact that, in its essence, jazz is essentially improvised instrumental music. On Open The Door, Don’t Look Back, the Finnish duo Good Romans strips the influence of jazz down to its bare RNA, pointing out its role in nearly every underground, avant-garde movement since. They manage to trace a very tenuous line from Django Reinhardt to Supersilent, which is a very abstract journey, if you missed the connecting steps. Using a very concise palette of electric guitar, drums and abstract electronics, Good Romans

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Forgotten Gems & Dusty Classics: Blind Bluesmen – Willie Johnson, Willie McTel, Willie Reynolds, Gary Davis, Snooks Eaglin

The “blind bluesman” is perhaps the dominant image of the genre, and one that evokes a number of associations. As noted by scholar Joesph Witek, the idea of the “blind genius” dates at least as far back as Homer. Given that many of these musicians were extraordinarily talented, their blindness might have fed popular interest in their music. However, blindness was almpso a debilitating condition for many of these men, especially in the rural South, so that the blind musician occupied a place of pity in the public mentality. Economic necessity is probably the most compelling argument for the relatively large number of blind blues musicians. Most African-Americans living in the South had few other possible careers outside of manual

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Album Covers of the Year 2013

Every year, we interview a number of musicians and artists for the intimate details and philosophical underpinnings of their album cover artwork. It’s an ever-massive undertaking, but we make sure to include ever genre, from doom metal to disco, minimal electronic to mainstream pop, with the intention of highlighting the best visual art, regardless of why or who created it.

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