Nik Turner – Space Gypsy Album Review (Cleopatra Records)

The fabled saxophonist, flautist and frontman Nik Turner has always sought to defy the epithet “ordinary”. His showmanship, sax and flute playing and great songwriting were an essential compound in the chemical reaction that gave birth to some of the most influential albums and live shows of the early- to mid-1970s. Anyone who has been fortunate to see him live with Hawkwind, or his other projects, such as Inner City Unit, Nik Turner’s Fantastic All Stars, Space Ritual and Nik Turner (ex Hawkwind), will know that he is one of the most exciting, outrageous and innovative performers ever to take to a stage.

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Forgotten Gems & Dusty Classics: Big Bill Broonzy, Mississippi John Hurt, John Fahey, Cladys “Jabbo” Smith, Lester Young

This newest list of musicians includes the Blues musician who probably did more than any other one person to jump-start my interest in older music: Big Bill Broonzy. The fun of listening to somebody who recorded seventy years ago is that you can start to piece together who they influenced and who they worked with, giving you more to listen to. It sent me down a rabbit hole that I haven’t even begun to crawl out of. Hopefully, I never will.

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Vex Ruffin – Self-Titled Album Review (Stones Throw Records)

An artist who began making music in his bedroom on his own, using an SP-303 sampler, Vex Ruffin was scooped up by the label Stones Throw after sending in a speculative demo. Subsequently he took his pared back reductionist genre-splitting music on the road with a four-piece band, taking in shows at SXSW and Coachella. With influences including labelmate Madlib and P.I.L.-era Johnny Rotten, he produces music that is a reflection of the ordinariness and mundanity of his day job driving trucks for UPS and living amongst suburban monotony.

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Tei Shi – Saudade EP Album Review (Self-Released)

Ever wanted a female artist with awesomely soulful vocals to make cool, interesting, and meaningful music? Now you have one. On her latest EP, Saudade, Valerie Teicher, aka Tei Shi, makes an impressive debut, exposing herself musically as well as emotionally, with powerful and lasting effect.

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Austra Live Show Review (Berlin, Germany)

Austra’s two sold out shows in Berlin are expressive of the band’s massive appeal in a city that thrives upon innovative music programming, anachronisms of the 1980s, and advocation for LGBT acceptance. Touring behind the sophomore album Olympia, an effort that features all of the aforementioned three, Katie Stelmanis and company delivered a set of darkly emotional synthpop that did not disappoint either night.

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Mountain Oasis Electronic Music Summit 2013 Festival Live Show Review (Asheville, NC)

Moogfest took a break this year in order to regroup, change promoters and pick itself up out of the brisk air of autumn and move itself to the promising days of spring (it will be held April 25-27 in 2014). Into its silent void flowed Mountain Oasis Electronic Music Summit, a three-day electronicaganza (promoted by Bonaroo-bringers, AC Entertainment) that delivered a variety of both big-name acts and up-and-comers. The gigs were held in various venues throughout the city, which helped create different pools of mood you could dive into and out of throughout the weekend, from the stadium-like Exploreasheville.com Arena (formerly the Civic Center) and Thomas Wolfe Auditorium (both of which comprise the US Cellular Center—confused yet?) to the intimate and indie-feeling Asheville Music Hall.

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