Pure Potentiality – SXSW 2014 Unofficial House Party – Photo & Video Recap

Year four of REDEFINE’s Unofficial SXSW 2014 parties finds us in Austin with some changes: one stage was whittled down to two, with unbelievably excellent results, and we brought in a new collaborator at XRAY.FM! The things that remained constant were the ~1,500 free beers from Dos Equis, good vibes, and tons of bands and friends hanging around all day at the 21-person University of Texas co-op, House of Commons! Here are some clips and photos of our favorite bands of the day, and massive thanks to all of the bands and attendees.

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Hauschka (Volker Bertelmann) Composer Interview: The Sonic Topography of No Man’s Land

“It reminds me a little bit of my inner world when I’m writing music, where I feel… a kind of loneliness, a kind of melancholy, a kind of sadness. At the same time, I feel hope… I felt that this was kind of a very nice metaphor for this kind of dualism between the catastrophe and the beauty in a way.” - Hauschka’s Volker Bertelmann, on abandoned cities

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Doomsquad – Kalaboogie Album Review (Hand Drawn Dracula)

After the decline predicted and lamented by Explosions In The Sky and Godspeed You! Black Emperor in the 2000s, the Canadian band Doomsquad provide a ritualistic dance party for the new world. Doomsquad provide a new skin for the old ceremony in the form of technological shamanism, where shakers and bone rattles meet Moogs and psych-out guitars in a forest clearing. The main challenge confronting a band that combines multiple genres is that their music inherit the strengths and weaknesses of each, similar to crossbreeding in Nature. Doomsquad’s latest record, Kalaboogie, may be judged by the standards of modern day dance music as well psychedelic and epic indie rock, and they risk losing the listener at every turn. The good

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Ava Luna – Electric Balloon Album Review (Western Vinyl)

On their newest LP, Electric Balloon, New York’s Ava Luna offer a solid rock and R&B framework infused with the pulse of experimental music. The result is something they call “nervous soul” — experimental rock that is as texturally interesting as it is emotionally invigorating. As soon as Electric Balloon begins, its simple grouping of rock instruments offers a cool, open, and vintage-inspired sound. With heavy power chords, musical interlude-tracing guitar licks, funky bass lines that make you want to dance, and a percussion section featuring everything from cymbals and tambourines to maracas and woodblocks, Ava Luna tap into many of the classic and modern rock instrumental mainstays that would be right at home on a Black Keys album and

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Linda Perhacs – The Soul of All Natural Things Album Review (Asthmatic Kitty)

I spent a long time thinking about how to write this album review of Linda Perhacs’ new album, The Soul of All Natural Things, the follow-up to Perhacs’ 1970 album Paralellograms and her first new record in 44 years. Paralellograms is a cult classic, and cult classics capture the imagination in part because they stand alone. After approaching the new album warily, I am relieved to say that my image of Perhacs is still intact. Perhacs has slowly reemerged in the music scene as of late, due in part to fans such as Devendra Banhart and Chris Price, and has been working with a number of contemporary collaborators, including Julia Holter, Ramona Gonzalez of Nite Jewel, and Fernando Perdomo. Ramona

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Experimental Music on Children’s TV (EMoCTV): Mike Haley’s Retrospective Blog

“I think exposing kids to as much shit as possible is really important, just so they know it exists. If you only ate apples, and only got your kid apples, then their favorite fruit would be apples. But that’s just because they haven’t gripped a mango, or banana, or plum yet. Maybe they’ll hate every other fruit and truly dig apples. Or maybe they don’t really like apples. You see where I’m going with this?” - Mike Haley of Experimental Music on Children’s TV

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