Blues Music: Marketing Nostalgia Using “Race Records” in the 1920s & 1930s

Folklorists like to romanticize blues music as being a pure expression of culture, but recorded blues music was carefully marketed to its intended audience from its very beginning. As early as the 1920s, music aimed at African-Americans was labeled as “race music”, and the best way to advertise it was in the pages of African-American newspapers. These newspapers had a wide circulation among urban African-Americans and even in parts of the South, where they were treated as contraband and discretely shared.

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K. Leimer – A Period of Review (1975-1983) Album Review Reissue

When asked about the influence of late ’70s and early ’80s electronic music on his own record, A Period of Review, Seattle ambient pioneer and head of the Palace Of Lights label Kerry Leimer told The Ransom Note: What interests me most about “A Period of Review” is the sense that it really is that period now in review. So many years on, in the constant rush and search for something “new” there’s plenty of evidence that alot can be overlooked and never fully comprehended. Especially now, when more work is published than any one individual could ever hope to have even a passing familiarity with, it’s always helpful to at least understand the way ideas and aesthetics about expression

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Intuitive Navigation (May 28th, 2014): An Interdisciplinary Dance Night of Sight & Sound

While 2011′s installment was a psychedelic exploration of meditative states, 2014′s INTUITIVE NAVIGATION will by more outwards-focused, featuring four sets of performers that share a love for dance and body movement. Three musical acts will be paired intimately with visual artists to create stage sets and video projections, while dance performances will tie the transitions together in a dazzling and flowing manner.

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Dub Thompson – No Time Music Video (Interview w/ Director Vinyl Williams)

Drawing obvious inspiration from timelessness and less obvious inspiration from Aleister Crowley’s Thoth tarot deck, director Vinyl Williams takes Dub Thompson’s “No Time” and turns it into a multi-level philosophical exercise. Williams explores the slippery nature of existence by using both HD and analog techniques, which ebb, flow, and spin within a mad cycle, in such a way where beginnings and ends are indiscernable from one another. Timelessness, indeed. Read on as he speaks to his process and collaborating with the band.

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Chad VanGaalen Artist Interview (2014): Sci-Fi Visions of Sight & Sound

2014′s Shrink Dust is VanGaalen’s first album in almost exactly three years. Described by its creator as a “sci-fi folk record”, it takes the sound of its predecessor from 2011, Diaper Island, and, through the introduction of a pedal steel guitar, amplifies a certain country element that’s been rumbling around in the background for a while.

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Music Festivals 2014 Preview Guide & Top Picks

Top picks for music festivals in 2014, with a focus on the Pacific Northwest festivals, New York City festivals, national music festivals, and transformational festivals that are worth a damn.

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