With the onset of COVID and all things moving online, some event promoters have had the technological know-how to adapt more easily than others. Pink Noise is one of those projects. An art festival and immersive experience "full of noise, sound...
Like leaves in the wind, a repetitive keyboard line flutters about on “Strange(r) Work”, as if to usher in the fall season. Though plenty beautiful in aural form, the evocative nature of Mind Over Mirrors — a project by Chicago...
In contrast to modern patterns in music consumption comes our annual Album Covers of the Year feature, where, instead of forgetting album artwork even exists, we hyperextend ourselves to assert that it is an artform that is vitally connected to the...
"What appeals to me is the potency in the image -- the object itself, or the mysterious atmosphere it holds. A truly beautiful image has the power open up this whole inner world; it's like a visual "key" that unlocks and fires up your imagination." ...
2014's Shrink Dust is VanGaalen's first album in almost exactly three years. Described by its creator as a "sci-fi folk record", it takes the sound of its predecessor from 2011, Diaper Island, and, through the introduction of a pedal steel guitar...
An appropriate follow-up to our feature on Experimental Music on Children’s TV, Nor-Cal powerhouse Merrill Garbus of tUnE-yArDs leads listeners into similar notalgic territories with the music video for “Water Fountain”. With the...
For “Peppermint”, Julio Bashmore’s collaboration with Jessie Ware, director Noah Harris offers viewers an abstract glimpse into his rave experiences and headspaces from the ’90s. Using found and 3-D printed objects, Harris...
"I think exposing kids to as much shit as possible is really important, just so they know it exists. If you only ate apples, and only got your kid apples, then their favorite fruit would be apples. But that's just because they haven't gripped a...