The harp, as an instrument, seems to inherently conjure medieval, Celtic, or angelic imagery. When it is joined by swirling synthesizers and bilious clouds of delayed guitars, the brain is left with all manner of interesting juxtapositions, like a...
Directed by Matt Lambert, Austra’s music video for “Habitat” weaves together three tales of human connection into one beautifully-lit cinematic narrative. Set in motel rooms that have been transformed into flowery love chambers...
"I was directly inspired to these pieces by two people in my orbit who died this year, one accidentally and one not, both of whom suffered this affliction and eventually lost their lives to it. The music was a reaction to these losses and a sort of...
"Dams don't just blend in as part of a landscape anymore. Knowing what I know now, it's impossible for me to look at dams in the same way as I did a few years ago -- or even rivers, for that matter. Dams and hydropower represent a pivotal part of U...
"My collaboration with [Oliver] Chanarin began with a love of didactic images: images that explain things; how to resuscitate a dying man, or put a chain on your chihuahua, or fall over without hurting yourself. These are images made with a certain...
When asked about the influence of late ’70s and early ’80s electronic music on his own record, A Period of Review, Seattle ambient pioneer and head of the Palace Of Lights label Kerry Leimer told The Ransom Note: What interests me most...
With a lead singer as versatile as Highasakite's Ingrid Helene Håvik, it's not difficult for the band to evoke landscapes as diverse as a country road, a spacey sky, or a western plain. On their debut full-length album, Silent Treatment, the...
Now that vaporwave has taken over as the cynical soundtrack for the global marketplace, new age is due for a reassessment. On I Am The Center: Private Issue New Age Music in 1950 – 1990, the wonderful Light In The Attic reissue label turns back the...