The Wooster Collective’s There’s Still Time, Brother, is quite the interactive filmmaking achievement. Displayed in a circular room, it features the composite of twelve different cameras, stitched together loosely to fill a 360-degree...
This Zach Hill video for “The Primitives Talk” features all sorts of bad video effects holding hands. Slow fades, hyper zooms, bad 3D modeling, transparent overlays, and, well, more bad 3D modeling. Conceptually, too, this video is...
The quest for innovative music video creation continues with Shadow Shadow Shade’s White Horse Trilogy. This three-part video (with a peculiar aspect ratio) is essentially be a short film featuring the band’s music. It might not be a...
The latest from California-based mathy, spazz-prog masters Tera Melos blends their frenetic brand of technical genius with far more poppy songs and structures. While this might be a turn-off for some die-hard fans, it is not unexpected when looking...
Ever since interviewing Chandra Bocci way back when, I’ve been looking for another 3D artist that utilized shapes and textures in a way that felt equally powerful to me. I haven’t really found one… until today, with the work of...
Jesus, is Tobacco killing it or what? This video is a hyperactive spazoid of sped-up film, reversed film, and all sorts of editing tricks alluding to mental health diseases and freakouts. Featuring Beck! Director, Cinematographer, Editor –...
Sally Tomato’s rock opera, Toy Room, arrived with a cover that boasted of four acts and ten accumulated laurels from the 2009 festival circuit. I pretty much always watch rock operas with hesitation, for their qualities are largely determined...
"Nothing holds up a process like an indispensable band member being both a perfectionist and a control freak. Especially when your band features three of these types." -- Danny Seim