"Memoriam", the opening track off of Russian Circles' latest effort, Memorial, is exactly how a band of such heavy magnitudes should begin each album. The guitars are quiet; ambient tones echo throughout as a violin softly plays in the background;...
thisquietarmy's Hex Mountains is a black mass, that rends the veil of consensual reality, plunging the listener into a twilight afterlife of elder gods and ancient wisdom. It's good to have post-rock back.
To express questions of context, displacement and fragmented identity, what better medium could there be than the nature of assemblage in collage? Image artifacts are laid bare while hypothetical situations construct parallel universes. The familiar...
Oneohtrix Point Never's Daniel Lopatin has risen from a sea of anonymous downloads and esoteric electronics albums on limited edition cassettes. Watching his artistic evolution has been like watching a microcosm of an entire world of psychedelic...
Hidden beneath the gargantuan, State-driven China that is emphasized over-and-over again in news coverage lies an artistic day-to-day that few people see. As in any developing country, China has become a breeding ground for new and often innovative...
Aural Devastation is a regular column about heavy rock music. This month, Cloudkicker streams his ninth record, Subsume, Jesu returns with a new track, plus songs from Doomriders and the supergroups Mutoid Man (members of Cave In and Converge) and...
As soon as you hear the crisp, resonant guitar plucking that begins No One‘s opening track, “Charisma”, you know you’re in for an eclectic mix of influences and sounds. As Tezeo’s self-titled LP continues, bass-heavy dance beats, excitable synths...
Butoh dancing (舞踏) is an expression of body that has found relevance outside of its roots in Japan, across cultures and generations. "Butoh, as [with] so many true arts, contains the beautiful spectrum of being. Often these first looks at Butoh are...