"There are ongoing themes in my art that involve the clash of technology with the natural world as well as my own human guilt for being a part of that encroachment by default."
With variation in degrees of shading and texture, the black and white watercolor and graphite pieces by Ottawa’s Nimit Malavia seem to be caught in varying degrees of completion. The epic 26 Point Stag, above, seems like a page out of Greek...
"The training I received as as an illustrator emphasized the importance of aesthetic versatility. The way something is illustrated can have a big impact on the narrative. A lot of my technical work focuses on the tangibility of aesthetic."
Dictators! Love them or hate them (philosophically-speaking), it's hard to argue that a Communist aesthetic a la Mao Zedong or Joseph Stalin doesn't have a compelling color palette and welcome vintage grain associated with it. Perhaps in spite of...
"I’m not trying to hold people’s hands. I’m not trying to make titles that go and tell you a specific way to look at the painting… That’s just the way I guess I am. I would never preach anything to anyone."
Seattle’s Flatcolor Gallery is taking a hiatus for the summer! But before then, they will be moving out of their long-standing Pioneer Square location (528 1st Ave. S, Seattle), and are inviting you to join them for a folkloric show of Stacey...
Up through the end of this week at Carmichael Gallery in Culver City (5795 Washington Blvd.) is a globe-trotting exhibition with a somewhat street art lean. Bumblebee The appearance of materials such as stencils, spraypaint, and unconventional...
Los Angeles’ Congregation Gallery has coordinated a host of artists to create works around the topic of dark religion. Many Seattle artists showed their works, including Don Farrell, Jethaniel Peterka, and Yvette Endrijautski. You can see some...